I recently heard some great new music from Angry Baby and I wanted to share it with you – thanks Flo!
Being a fearless storyteller is a great starting point for any contemporary folk singer. Add to that the creativity to build stand-out instrumentation topped by a voice that is uniquely sweet and complex and you have all the ingredients you need for a breakthrough folk album.
That’s what I found in Kelly Oliver’s Bedlam, released on boutique indie label Folkstock Records on 6 March 2016. It’s no surprise that she is already a favourite with the UK’s Folk Radio station and legendary music presenter Whispering Bob Harris.
Before you read on, Kelly Oliver is giving a FREE download of her song Lay Our Heavy Heads from Bedlam to Angry Baby readers – just click here to hop over to Angry Baby and get your free track.
Raised in Hertfordshire, Kelly Oliver’s Celtic heritage shines through. Lay our Heavy Heads is a timeless love story that gives the album a flavour of ‘Once the Musical’ – appealing to anyone’s inner musical theatre geek, especially mine!
I guess that Kelly comes from a tradition of strong women. Miles To Tralee, which Kelly wrote for her grandmother, tells a first generation immigrant story of struggle, against a backdrop of love and tragedy, and it’s clear that the young woman who is the subject of the story is a force to be reckoned with. Go Granny!
Kelly’s own life story proves that the apple doesn’t fall far from the tree. Proud of her working class roots, though clearly not constrained by them, Kelly was travelling the world when, one day in Rio, she resolved to make her living from her music. It’s a gutsy decision, especially for someone who pours herself into her lyrics and doesn’t shy away from difficult subjects. But with courage in her genes, we shouldn’t expect Kelly Oliver to do any less than challenge us with her stories, while giving us music that entertains and enchants.
The title track Bedlam doesn’t pull any punches. Just to prove that folk music is built on the tough stuff of human existence, Kelly Oliver brings us the hellish scenes of Victorian mental asylums and the cruelty meted out to women suffering from post-natal depression. Cheery it ain’t, but social justice isn’t won with pretty poems.
Bedlam delivers contrast too. Within the Celtic vibe and theme of feisty women, Jericho could (in my head anyway) have been written for a Disney princess – specifically Merida, from Brave, all grown up and ready to claim her man. ‘I’ll fight off any girl in town, for him I’ll break the walls of Jericho down‘.
In the City tells a contemporary story of urban love and violence through mediaeval imagery of hunting and dancing, while The Other Woman explores a love triangle, proving that some themes are timeless.
Die this Way, brings us full circle to themes of social justice through a migrant’s eyes ‘Daddy, I don’t wanna stay here… why is there screaming and shouting and shooting…lets move away…they won’t let us in, why would they keep us out here …like a dog in the rain?‘. The final song Rio ends the album on a high note, something a little more cheerful, upbeat and optimistic to finish on,which you can expect to hear many more times as we near the start of the 2016 Olympics.
With such a creative, inspiring and thought-provoking selection of songs, Bedlam is definitely an album that no self-respecting music collection should be without. I have a feeling Granny is proud.
I asked Kelly what advice she would give to someone just starting out with their music. As you might expect, her advice reveals the steel in her spine:
‘Hopefully anyone starting out in music is passionate about the music they create and perform, which is the best place to start!
An important lesson I’ve learned is to make the most of your social media – engage with and respond to your fans and get your music online so that it can be listened to and shared. Invest in good promo photos and album cover photos – these get shared more widely than you might initially think!
I’d say try not to compare yourself too much to other musicians on the scene. Every musician is following their own personal path, and it’s more productive to focus on your own musical journey and concentrate on what you personally want to achieve as a musician.
Expect rejection and learn to brush it off instantly – it’s what I’ve done from the very beginning and it’s been the most valuable piece of advice that I’ve ever received. Saying that, it’s also important to keep an eye out for opportunities and take them wherever you can. I personally celebrate every small victory and, for me, that makes every day of being a musician fulfilling.’
This first appeared on www.angrybaby.co.uk.
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