Tag Archives: Geronimo Rauch

Club 24601: Peter Lockyer is Jean Valjean

The end of the Club 24601 series is upon us and this week we feature the current London Jean Valjean, and the one who gave me the title, Peter Lockyer.  Although Lockyer was the first JVJ I spoke to, I left him until last in order to bookend with the current Broadway JVJ, Alfie Boe (Boe was our very first featured Club 24601 interviewee but the last to actually be interviewed!).  It just seemed apt.

Lockyer, it turns out, has considerable history with Les Mis but not on these shores.  His first Les Mis role was Marius in the 10th anniversary Broadway production and he also took this role when the show premiered in China – Colm Wilkinson was JVJ.  Roll forward a further ten years and Lockyer was directing an amateur production of Les Mis in Hawaii and there was considerable difficulty in not only casting but also retaining, an actor in the starring role so Lockyer took up the challenge.  Thus it was in an amateur production that he first played JVJ.  Shortly after this, Lockyer was approached by the Les Mis team with a view to playing JVJ on the 25th anniversary US tour and possibly in Toronto.  As we know, Toronto didn’t happen (the role went to Ramin Karimloo) but he was cast in the 25th anniversary tour and played in over fifty cities all over the USA.  The tour finished, life went on and then Cameron Mackintosh asked Lockyer to sing for him on Broadway – the audience also included Claude-Michel Schonberg and Alain Boublil, both of whom Lockyer had known and worked with in Miss Saigon amongst other projects.  He was then offered the part in London and is now well into his second year as JVJ.  Recently, Lockyer sang with John Owen-Jones, Geronimo Rauch and Colm Wilkinson at the 30th anniversary gala performance:

Locker says that the role of JVJ is “the best role in musical theatre – it goes through so much of life, everything is there on the stage”.  However, the iconic nature of the role and the music means that it can be quite daunting to think about.  To combat this, Lockyer tries to empty his mind of everything but JVJ before he steps on stage in order that the audience “only sees the story, not Peter Lockyer playing the role”.    Along with everyone else interviewed, Lockyer enthuses about the incredible score and how it has the power to move people just as much today as it did when it first opened.  In Lockyer’s words, “you can’t hear the opening chords of the show and not feel something”.

Aside from the comment about the role being too daunting if you thought about it too much, there is nothing that Lockyer dislikes about the show.  He also found it difficult to choose a favourite moment, plumping instead for all the little moments on stage such as Drink with Me for being part of the ensemble and the epilogue because it is so moving.

Thank you to all the Club 24601 participants – I’ve really enjoyed this series of interviews and listening to all the various versions of Bring Him Home.  Yes, I do have a favourite (after Alfie of course!) but I’m not going to tell you yet!  Please do leave a comment though to tell me your favourite.

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Club 24601: Geronimo Rauch is Jean Valjean

Today sees the seventh interview with the members of a very exclusive club, Club 24601 – those who have played the iconic role of Jean Valjean in Les Miserables.  Most have played the role in London or Broadway, one in Belgium and one in Australia but today’s interviewee, Geronimo Rauch, started his Les Mis career in Madrid.

The Spanish production was different to London (it was the 25th anniversary production) and Rauch played the role for two years before being invited to take the part in the Queens Theatre.  It wasn’t quite so simple as that however, as Cameron Macintosh wanted to hear Rauch’s English; a phone audition duly ensued and it must have gone well as he then came to London.  You won’t be surprised to hear that aside from the production differences, the main problem for Rauch in London was getting to grips with the language.  He says “I had to erase my thoughts from the Spanish version but it was easier than I thought to start again”.

One of the things Rauch says he enjoyed me most about the role was “the incredible music.  It’s so demanding, you show all your acting and singing skills.  You go from an angry prisoner to an old, sad, dying man.  It’s a beautiful journey”.   Although there are some amazing good points about the role, all the interviewees including Rauch have said that it’s incredibly hard when you’re tired with the role demanding everything, vocally, physically and emotionally.  Having said that, Rauch provided one of the most memorable quotes about the role, saying “at least we don’t have to dance”.  A dancing JVJ – can you imagine???

Asking similar questions of all the JVJ’s I spoke to, you’re bound to get some similarities of answers and the most similarities came when I asked what was their favourite song to sing.  All chose Bring Him Home without hesitation but Rauch was among those who also chose one of the most dramatic scenes of the show, the soliloquy.  Along with Alfie, Dave Willetts, Peter Karrie and Dan Koek, Rauch chose this for the vocal and acting challenge.  As for his favourite song by another character, Rauch found it hard to pin a choice down, choosing Fantine and Eponine’s songs and then going on to mention all of Javert’s songs too.

Upon leaving Les Mis, Rauch joined that band of actors who have also played the title role in Phantom of the Opera and only relinquished that role recently, to an old JVJ and Phantom, John Owen-Jones.  After three and half years, Rauch was hoping to return to Spain and record a new album, although at the time of interview, he wouldn’t say what sort of music he hoped to record!

Club 24601 will be back next week with the Australian JVJ, Simon Gleeson.

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Club 24601: 30 Years of Jean Valjean

The time has come, the day is here and Les Miserables is shortly to celebrate its 30th anniversary.  This also means thirty years of Jean Valjean and a considerable number of actors who have portrayed one of the most challenging roles in modern musical theatre.  Some have played the role for a short time, some played the role for a number of years and I spoke to some of the more notable names (mainly in the London production) over the past few months to get a feel for what it’s like to play such an iconic role.

In no particular order, thank you to Alfie Boe, Peter Lockyer (the current London JVJ gave me the title to this piece: Club 24601, a very exclusive club), Geronimo Rauch, John Owen-Jones, Simon Gleeson (currently in the Australian production and to lead the Manila show in 2016), Hans Peter Janssen, Peter Karrie, Dave Willetts and Dan Koek for being so generous with their time.    The role is famously challenging in all sorts of ways and something I was interested in was how the actors changed their interpretation of the role as their run got longer or in some cases, when they returned at a later date.  For John Owen-Jones, being the youngest ever JVJ at 26 meant that the emotional challenges of the role took on new meaning when he returned a few years later.  He says “I had a more rounded outlook on life and more life experience to draw on when I was older. I had two children in the intervening years and suffered some loss in my family and had grown up a lot. I therefore was naturally able to give the character more depth and I like to think my approach to interpreting the role was more mature than when I was 26”.  Hans Peter Janssen, who played the role in London from 2000 – 2003 agrees with John: “I matured in my portrayal…especially in my understanding of JVJ as an older man”.  In contrast, Geronimo Rauch who had previously played the role in Spain said the biggest difference for him in returning to the role was the language; a phone audition with Cameron Mackintosh to see if his English was good enough obviously did the trick as he then got the London job.

This piece has been some time in the works and when I interviewed Alfie, he had yet to start on Broadway.  As we know by now, Alfie Boe as Jean Valjean in New York has been a runaway success but Alfie’s focus back in July was on the production as whole.  He explained that “the main difference is that the production is completely different, it’s not the same show I performed in the West End.  Although the music is the same, the structure of the show, the choreography of it is different.  I’m so excited to embrace the new direction of the role”.  Alfie also mentioned that “although I’m a little more known than I was back then, I’m not focused on that.  I’m just focused on doing the job, doing it properly, performing each show I’m in to the highest standard”.  Judging from the reviews so far, Alfie, you’re certainly doing that!

Peter Lockyer said that JVJ is the “best role in musical theatre” as it “goes through so much of life; everything is there on stage” and again, this is reflected in the experiences of the other actors.  When asked about the best thing about playing JVJ, every single interviewee cited the emotional, vocal and physical challenge to do the part justice.  Simon Gleeson mentioned “sharing the scope of the the story with an audience” and Peter Karrie (1986 for three years) said that he found the role “very satisfying as an actor and a singer”, something that was repeated by all the interviewees.  Another common link is the music – all the actors mentioned the joy and privilege of being able to sing such an amazing score night after night.  Of course, that incredible score can also be one of the downsides to the role; John Owen-Jones compared it to “climbing a mountain if you’re not 100%” and Dan Koek (2013-2014) said that the “pressure to always be amazing is hard, especially if you’re tired”.  The last word on this goes to Geronimo though, who when asked what the worst thing about the show was answered that it was very demanding but “at least we don’t have to dance as well”.  That really would be something to see, a dancing JVJ!

Thirty years of Jean Valjean, one of the most iconic roles in musical theatre, has given us some wonderful musical moments –  all the Valjean’s interviewed mentioned the incredible score as the high point of their time in the show and I wanted to pinpoint their favourite songs: would they all choose differently?  Without exception, Bring Him Home cropped up, but as a given; no one who performs the role would say anything else I suspect.  However, several of the Valjean’s (Alfie, Dan Koek, Dave Willetts, Peter Karrie and Geronimo Rauch) also chose the same second favourite, the Soliloquy.  As Dave Willetts (1985-6 as understudy and then took over from Colm Wilkinson) says, this song shows “the journey of the character of Valjean” and in Alfie’s words, it shows “what Valjean has become and what he has come from, a chance to show the anxiety, fear and passion of the character”.  John Owen-Jones chose Bring Him Home as a singer and Who Am I as an actor whilst Peter Lockyer named the Epilogue as one of his favourite moments.  Alfie also mentioned the emotional intensity of the Epilogue but I got the feeling he would have named all his songs as his favourite!

Six months ago, when I started researching and interviewing this piece I had a good idea of how I wanted it to turn out.  I thought that there would be enough material for an interesting look at the different portrayals of Jean Valjean over the years but I never thought there would be so much material that I couldn’t use it all!  Several hours of interviews meant that there was enough material to publish this piece five times over, so I’ve decided to publish each interview in full, starting with Alfie himself, on a weekly basis.  If you want a sneak preview of Alfie’s interview, make sure you’re a subscriber – you get it ahead of everyone else so check your emails shortly for the password.

Tomorrow we get to hear if we got lucky and won tickets for the 30th anniversary gala – come and tell us if you won!

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