Rachael Sage: Myopia

In the early summer of this year, I brought you Rachael Sage’s new single, Spark, ahead of the UK release of her thirteenth album, Myopia.  Happily, that album is now being released and I’ve been lucky enough to listen.  Rachael is one of my favourite artists to review as her songs tell stories, sometimes about dark subjects although you might not realise it at first, such is the juxtaposition of the lyrics and the lilting melodies and vocals that are Rachael’s signatures.

The sound of Myopia is a bit of a departure for Rachael, leaning as it does on guitars and strings rather than the more well known piano based songs.  I have to say that it works, Rachael’s song writing style and vocals being easily adapted to all forms of instrumentation.  The guitars lend a softness to the vocals and give the listener a new discovery about Rachael.  It will be interesting to see if this remains a one off or if we will see more guitars on the next album – and I’m sure there will be a next album, given how prolific Rachael’s output to now has been.

The title track is a new kind of anthem for Rachael, who sings passionately about a “screen of judge-
ment / in my face all the time” being lifted. It’s a declaration of self-assurance and vision that perhaps could only be made as disarmingly in the middle of a cultural crisis. Rachael’s own myopia started her thinking about nearsightedness on a much more macro level.   It’s all about perspective; the lens you might be looking through might be totally different to the lens of the person next to you.

The clarity that comes from being comfortable in one’s own skin is a theme that runs through much of the album with Maybe She’ll Have Cats being a stand out for me (“maybe she’ll have children, maybe she’ll have cats” endeared this song to me, having both a child and cats).  The song describes the difficulty of being comfortable in your own skin and also wanting that for your own children perfectly. It also has a great instrumental mid section.

Another stand out track is Olivia which sounds like a love song to Olivia, and my first thought on listening was that Olivia is a lucky woman to have this song written about her.  It turns out that the Olivia in question is Detective Olivia Benson, portrayed by Mariska Hargitay in the TV show Law and Order SVU.

Rachael says that  “I am a bit obsessed with that show, not only because the acting is superb but because it really juxtaposes the creepiest, most disturbed individuals in society against this incredibly fierce, resourceful and empathetic woman who does a hell of a
lot of saving and is basically the closest thing to Wonder Woman on TV.” Olivia Benson engenders the same kind of response in me – not just for the character but for the fact that she is the lead role in a traditionally male dominated TV genre.

Daylight is a song that shines a light (pun intended) on the murky subject of domestic violence, describing the vicious circle that keeps women in abusive relationships – it’s a very powerful song, made all the more so by the gentle lilt of the vocals and guitars.

Finally, we hear Rachael sing in Yiddish for the first time on Umru Mayne – the punk guitars are great and the organ sound a bit like The Doors.  Apparently Rachael channelled Mandy Patinkin when recording!

Myopia is available here:

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